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The Principle of Non-Decoration « The Thinking Housewife
The Thinking Housewife
 

The Principle of Non-Decoration

October 27, 2009

 

  Photo by Eric Laignel.
 
Modern design and fashion are characterized by a love of uniformity, monotone colors, and visual barrenness. In clothes, this means grays and browns for women with few embellishments or frills. In interior design, this translates into an absence of pattern, vibrancy, texture and warmth. It’s egalitarian chic and deliberately plays down luxury. Only the trained eye can see the expense.
  
Kidist Paulos Asrat, of the blog Camera Lucida, recently traveled to the New York Design Center’s trade showrooms in Manhattan and commented on this phenomenon. Designers, she notes, are more caught up in self-expression than the creation of  beautiful and liveable homes. She writes:
 
 “So, if artist/designers don’t really care about their public and the real world, and they are much more interested in experimentation and self-expression, what happens to the products? As I’ve discovered, they suffer a great deal.”
  
In the following exchange, Kidist, an artist and textile designer, shares more of her thoughts on the subject.
 
 

 

Laura writes to Kidist in response to her post:

The muted colors you mention are similar to those in contemporary clothing. I have wondered whether the absence of vivid color and pattern is savvy marketing. Clothing and furniture that are monotone need to be replaced more frequently, particularly grays and blacks and whites. They show dirt and wear.

Kidist writes:

I see what you mean about the quick turnover in design. When I look at Victorian furniture, and visit the interior collections at Metropolitan Museum of Art, I am struck at the commitment people made to color and design. Yes, florals and intricate patterns actually hid dirt, and they lasted a family’s life span and more in these homes. Plain sofas – dark or light – are actually less forgiving. My experience with design professionals is that they really don’t care, they do a lot of work by photocopying or computer graphics, and they often take the easy way out. Then they can spend time on their “creative” projects – experimentation, self-expression, making money, whatever.

Laura writes:

Possibly when people get more instant gratification, especially in sex and popular culture, they don’t care as much about their surroundings. When desire is sublimated, it creates more beauty in life, more craftsmanship and studied effects. Women are highly sexualized today, but less sensual in their approach to home. On the other hand, homosexual men create some great surroundings and they are very unrestrained. …. Maybe a bad theory.

Anyway, I am constantly struck by the décor of the super wealthy. It’s so monotone. I think, Gee, if I were that rich, I’d have exquisite pattern and texture everywhere. I guess many are under the influence of interior designers.

Kidist writes:

That’s a funny thing about homosexual interior designers. I watch a lot of design shows, and about 75% of the designers are homosexuals. They are as bad as any, as bland and as monotonous. They seem to have a grudge against the world. Maybe earlier homosexual artists were not like this, but the current crop is worse than terrible. They always have scowls on their faces.

I think you may be right about the sublimation bit. Another thing is that there is modernism to contend with, also luxury implies beauty, and the rage these days is “equality” – all those poor people who can’t afford luxurious things, so let’s go down a few notches. Of course, this breeds its own brand of elitism based on ugliness and pared-down designs. And prettiness is considered just plain dumb.

The awful thing is that designers are the most elitist people around – arrogant, insular, and mocking these very things that have been part of home and life since the beginning of time – imagine, Adam and Eve’s first home was a beautiful, colorful, vibrant garden!

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